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| Written by Admin | |
| Friday, 18 July 2008 | |
 Desandar time "has as its protagonist Juan Jacobo Bajarlia, memorioso poet, author of numerous essays, and articles teacher who Leopoldo Marechal defined as" Zoo monstrosity. "Over the eighty minutes that lasts this watercolor, the octogenarian writer travels some of his many obsessions with thoroughness and freshness. In the intimacy of the documentary, produced by Rodolfo Duran under the pseudonym of "Valentina Carrasco," Bajarlia coexists with the fantastic, the occult, the avant-garde literary evocation of the Alejandra Pizaik and Marechal, a cinema under the porte-poo, or the memory of his father, the jail in times of Peron, Fijman and HP Lovecraft, the formulas of anti-world, estereopoemas and or'genes of ultraísmo; Tristan Tzara and Leopoldo Lugones, Rojas and Huidobro; Undurraga, Borges and Joyce Ulysses. Hopkins, from Berkeley, once said that the machines time Bajarlia "cease to be mechanical instruments to become metaphysical dimensions." Desandar eventually intends to return to give operating these gears to try to desentraniar the keys of a journey along the century, a century that took into "the memorioso" Bajarlia one of its protagonists m ‡ s sensitive. Note: This site does not provide accents or characters by the Castilians which have been removed from the description)  Urban Latino TV culture is everywhere! Join the award-winning producers of Urban Latino TV, AIM Tell-a-Vision, and Maximás Productions as they take you on a journey across America in search of authentic Latino culture. In "Barrios," we take a tour of some historic Latin neighborhoods all over the U.S., while "Sitios" tours genuine Latin hot spots. In "Latin Food," see where you can taste some of the best authentic Latin food in the world, while "Latin Culture 101" gives the basics of U.S. Latin culture from Day of the Dead mask-making to a funny look at that Latin staple, the neighborhood bodega.  This easy beginner's lesson teaches you everything needed to start making music on any 20 to 30 key concertina. Using his custom Anglo C & G concertina, John Williams explains all the basics: how to hold the instrument; how to get the most power out of your bellows; and how to use the buttons and the versatile C and G scales. Follow along with John as he explains slowed-down, then up-to-speed versions of each tune in split-screen detail. Before you know it, you'll be playing the familiar Irish children's song, "Oró (Sé Do Bheatha Bhaile)!" The stereo effect of producing two simultaneous tones (muffled and clear) and of double-octave style playing are both essential techniques. John uses them--as well as the legato capabilities of cross-fingering and a focus on bellows work--to illustrate that developing various skills makes it possible to play one melody in several different ways. The catchy "Jimmy Ward's Jig" provides a great opportunity to use the air button, master the alternate C pattern, and begin to add a few simple ornaments. Switching to another concertina, John examines the popular session tune "Kesh Jig," using it to introduce new buttons and give advice for better tone production. John teaches chords, triplets, pick-up notes and more ornaments, then illustrates the common practice of playing jigs in sequence. When his note-for-note breakdown of "Bobby's Casey's Jig" (in A minor) is complete, John performs this string of jigs so you can hear how they sound together at a moderate pace. He completes this thorough concertina overview with a rousing reel, "Last Night's Fun," which introduces additional notes used when playing in the key of D. As you work your way through this Irish concertina lesson, John shows you how to deliver a tune with good volume, clarity, snap and rhythm. Before long, you'll be ready to lead your own dance sets on this wonderful traditional instrument! |
